Sevastopol Sketches
Cover of the 1888 English edition. | |
Author | Leo Tolstoy |
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Original title | Севастопольскіе разсказы |
Translator | Frank D. Millet |
Language | Russian |
Subject | Crimean War, philosophy of war |
Publication date | 1855 |
Publication place | Russia |
Published in English | 1887 (Harper) |
Pages | 240 p. (Paperback) |
The Sevastopol Sketches (pre-reform Russian: Севастопольскіе разсказы, romanized: Sevastópolʹskiye razskázy; post-reform Russian: Севастопольские рассказы, romanized: Sevastópolʹskiye rasskázy), translated into English as Sebastopol Sketches or Sebastopol Stories or Sevastopol,[1] are three short stories by Leo Tolstoy published in 1855 to record his experiences during the previous year's siege of Sevastopol in Crimea. These brief "sketches" formed the basis of many episodes in Tolstoy's most famous novel, War and Peace.
Sketches
Sevastopol in December
In Sevastopol in December, Tolstoy uses second person narrative (with the pronoun 'you') in an introductory tour of life in Sevastopol. The detailed tour is arguably similar to one Tolstoy may have been given upon arrival in Sevastopol in November, 1854. As part of the tour, the narrator takes you through the dressing-station or makeshift hospital in the Assembly Hall. Here you find wounded soldiers, amputees, "some of them on camp beds, but most of them lying on the floor".[2] Tolstoy introduces the reader to the settings, mannerisms, and background he later uses in Sevastopol in May and Sevastopol in August. For example, the British and French enemy are referred to as "'him', as both soldiers and sailors say" (Tolstoy 198).
Sevastopol in May
In Sevastopol in May, Tolstoy examines the senselessness and vanity of war. The story examines many aspects of the psychology of war, heroism, and the misleading humanism in truces which invariably end in more wars. Tolstoy concludes by declaring that the only hero of his story is truth.
Sevastopol in August
Sevastopol in August depicts the conclusion of the siege of Sevastopol and the eventual defeat and withdrawal of the Russian forces. The narrative focus alternates between Mikhail and Vladimir Kozeltsov, two brothers who both fight and eventually die for the Russian side.
See also
- Leo Tolstoy bibliography
References
External links
- English Text
- Sevastopol, from Marxists.org
- Sevastopol, from RevoltLib.com
- Sevastopol, from TheAnarchistLibrary.org
- English translation at Project Gutenberg (1888 translation by Isabel F. Hapgood)
- Sevastopol public domain audiobook at LibriVox (Hapgood translation)
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- Bibliography
- War and Peace (1869)
- Anna Karenina (1878)
- Resurrection (1899)
- Childhood (1852)
- Boyhood (1854)
- Youth (1856)
- Family Happiness (1859)
- Polikúshka (1860)
- The Cossacks (1863)
- The Death of Ivan Ilyich (1886)
- The Kreutzer Sonata (1889)
- The Devil (1911)
- The Forged Coupon (1911)
- Hadji Murat (1912)
- "The Raid" (1852)
- "The Cutting of the Forest" (1855)
- "Sevastopol Sketches" (1855)
- "Recollections of a Billiard-marker" (1855)
- "The Snowstorm" (1856)
- "Two Hussars" (1856)
- "A Landowner's Morning" (1856)
- "Lucerne" (1857)
- "Albert" (1858)
- "Three Deaths" (1859)
- "The Porcelain Doll" (1863)
- "God Sees the Truth, But Waits" (1872)
- "The Prisoner of the Caucasus" (1872)
- "The Bear Hunt" (1872)
- "What Men Live By" (1881)
- "Diary of a Lunatic" (1884)
- "Quench the Spark" (1885)
- "An Old Acquaintance" (1885)
- "Where Love Is, God Is" (1885)
- "Ivan the Fool" (1885)
- "Evil Allures, But Good Endures" (1885)
- "Wisdom of Children" (1885)
- "The Three Hermits" (1886)
- "Promoting a Devil" (1886)
- "How Much Land Does a Man Need?" (1886)
- "The Grain" (1886)
- "Repentance" (1886)
- "Croesus and Fate" (1886)
- "Kholstomer" (1886)
- "The Two Brothers and the Gold" (1886)
- "A Lost Opportunity" (1889)
- "A Dialogue Among Clever People" (1892)
- "Walk in the Light While There is Light" (1893)
- "The Coffee-House of Surat" (1893)
- "The Young Tsar" (1894)
- "Master and Man" (1895)
- "Too Dear!" (1897)
- "Work, Death, and Sickness" (1903)
- "Three Questions" (1903)
- "Alyosha the Pot" (1905)
- "Father Sergius" (1911)
- "After the Ball" (1911)
- The Power of Darkness (1886)
- The First Distiller (1886)
- The Light Shines in the Darkness (1890)
- The Fruits of Enlightenment (1891)
- The Living Corpse (1900)
- The Cause of It All (1910)
- A History of Yesterday (1851)
- Confession (1882)
- The Gospel in Brief (1883)
- What I Believe (1884)
- What Is to Be Done? (1886)
- The Kingdom of God Is Within You (1894)
- What Is Art? (1897)
- "A Letter to a Hindu" (1908)
- The Inevitable Revolution (1909)
- A Calendar of Wisdom (1910)
- The Decembrists (1884)
- "Posthumous Notes of the Hermit Fëdor Kuzmich" (1905)
- Sophia (wife)
- Alexandra (daughter)
- Ilya (son)
- Lev Lvovich (son)
- Tatyana (daughter)
- Yasnaya Polyana
- Tolstoyan movement
- Christian anarchism
- Departure of a Grand Old Man (1912 film)
- Lev Tolstoy and the Russia of Nicholas II (1928 documentary)
- Lev Tolstoy (1984 film)
- The Last Station (1990 novel)
- 2009 film)
- Story of One Appointment (2018 film)
- A Couple (2022 film)
- Tolstoy Farm
- Tolstoj quadrangle
- crater
- The Triumph of the Farmer or Industry and Parasitism (1888)
- Vladimir Chertkov
- Aylmer and Louise Maude
- Translators of Tolstoy
- Tolstoy scholars
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