Mucho Calor
1957 studio album by Conte Candoli and Art Pepper
Mucho Calor | ||||
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Studio album by Conte Candoli and Art Pepper | ||||
Released | 1957 | |||
Recorded | October 3, 1957 Forum Theatre, Los Angeles, CA | |||
Genre | Jazz | |||
Label | Andex A 3002 | |||
Conte Candoli chronology | ||||
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Art Pepper chronology | ||||
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Mucho Calor (subtitled A Presentation in Latin Jazz) is an album by trumpeter Conte Candoli and alto saxophonist Art Pepper in an octet with tenor saxophonist Bill Perkins, pianist Russ Freeman, bassist Ben Tucker, drummer Chuck Flores and percussionists Jack Costanzo and Mike Pacheko recorded in 1957 and originally released on the Andex label.[1][2]
Reception
Review scores | |
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Source | Rating |
AllMusic | [3] |
The AllMusic review by Scott Yanow noted: "the music is quite jazz-oriented if a touch lightweight. Worth investigating by fans of the idiom".[3]
Track listing
- "Mucho Calor" (Bill Holman) - 6:53
- "Autumn Leaves" (Joseph Kosma, Jacques Prévert) - 3:05
- "Mambo de la Pinta" (Art Pepper) - 5:29
- "I'll Remember April" (Gene de Paul, Don Raye) - 2:21
- "Vaya Hombre Vaya" (Holman) - 3:21
- "I Love You" (Cole Porter) - 5:47
- "Mambo Jumbo" (Conte Candoli) - 3:47
- "Old Devil Moon" (Burton Lane, Yip Harburg) - 5:27
- "Pernod" (Johnny Mandel) - 3:57
- "That Old Black Magic" (Harold Arlen, Johnny Mercer) - 4:25
Personnel
- Conte Candoli - trumpet, arranger (track 7)
- Art Pepper - alto saxophone, arranger (tracks 3, 4,
- Bill Perkins - tenor saxophone
- Russ Freeman - piano
- Ben Tucker - bass
- Chuck Flores - drums
- Jack Costanzo and Mike Pacheko - bongos, congas
- Benny Carter (track 2), Bill Holman (tracks 1, 5, 6, 8 & 10), Johnny Mandel (track 9) - arranger
References
- v
- t
- e
Years given are for the recording(s) featuring Art Pepper, not first release.
leader
or
co-leader
- Surf Ride (1952–54)
- Two Altos (with Sonny Red, 1952–57)
- The Return of Art Pepper (1956)
- Playboys/Picture of Heath (1956)
- The Art Pepper Quartet (1956)
- Art Pepper with Warne Marsh (1956)
- Modern Art (1956–57)
- Collections (1957)
- Art Pepper Meets the Rhythm Section (1957)
- Art Pepper + Eleven – Modern Jazz Classics (1959)
- Gettin' Together (1960)
- Intensity (1960)
- Smack Up (1960)
- Living Legend (1975)
- The Trip (1976)
- A Night in Tunisia (1977)
- Tokyo Debut (1977)
- No Limit (1977)
- Thursday Night at the Village Vanguard (1977)
- Friday Night at the Village Vanguard (1977)
- Saturday Night at the Village Vanguard (1977)
- More for Les at the Village Vanguard (1977)
- San Francisco Samba (1977)
- Among Friends (1978)
- Art Pepper Today (1978)
- New York Album (1979)
- So in Love (1979)
- Artworks (1979)
- Landscape (1979)
- Besame Mucho (1979)
- Straight Life (1979)
- One September Afternoon (1980)
- Winter Moon (1980)
- APQ (1981)
- Art 'n' Zoot (with Zoot Sims, 1981)
- Arthur's Blues (1981)
- Art Pepper with Duke Jordan in Copenhagen 1981 (1981)
- Roadgame (1981)
- Art Lives (1981)
- Goin' Home (with George Cables, 1982)
- Tête-à-Tête (with George Cables, 1982)
Stan
Kenton
- The Kenton Era (1940–54)
- Stan Kenton's Milestones (1943–47)
- A Presentation of Progressive Jazz (1947)
- Stan Kenton Classics (1947)
- Encores (1947)
- Innovations in Modern Music (1950)
- Stan Kenton Presents (1950)
- The Innovations Orchestra (1950–51)
- This Modern World (1951)
- Popular Favorites by Stan Kenton (1950–52)
Shorty
Rogers
- Modern Sounds (1951)
- Popo (1951)
- Shorty Rogers and His Giants (1953)
- Cool and Crazy (1953)
- The Swingin' Nutcracker (1960)
others
- Chet Baker Big Band (1956)
- Mucho Calor (Conte Candoli, 1957)
- Hoagy Sings Carmichael (Hoagy Carmichael, 1956)
- California Hard (Dolo Coker, 1976)
- Herb Ellis Meets Jimmy Giuffre (1959)
- On the Road (Art Farmer, 1976)
- Birds and Ballads (Johnny Griffin, 1978)
- Mistral (Freddie Hubbard, 1980)
- Very R.A.R.E. (Elvin Jones, 1979)
- Some Like It Hot (Barney Kessel, 1959)
- The West Coast Sound (Shelly Manne, 1953)
- Cool Heat (Anita O'Day, 1959)
soundtracks
- The Gauntlet (Jerry Fielding, 1977)
- Heart Beat (Jack Nitzsche, 1980)
- The Subterraneans (André Previn, 1960)